Archive for March, 2007
What Gets Me
Posted by smokingpen in Odds-n-Ends on March 31, 2007
I have this life long goal going…
Specifically, I desire, want, dream of, and work toward being a fiction writer – a story writer. I like the idea of writing stories. I dream about them. I seek after them. I look for good writers, good teachers, good friends, and good people I can get to know to better my desire and dream of doing what it is that I do (and want to do): write.
Some years ago I was given the opportunity to take a job where I went to work and wrote every day. Since that job I’ve been able to take jobs (and do jobs) that allow me to do the same thing over and over and over again. Sometimes I’m not so fortunate, at other times I’m more so, to find things that help me to advance the aspirations and career that I desire (so much) in my life.
As such, I’ve intentionally dealt with other matters, other interests, on this website than is my passion. For the most part, the reason for this is because I am not producing in the direction I want to be producing. Sure, I’ve taken classes and found people that, for a time, can point me in the right direction; but for the most part, for me, writing fiction and telling stories is a solitary activity. Of this, I do not complain. I like my peace and solitude.
With that said, I will not be talking about writing (today) so much as what I enjoy online that, in some cases, deals with what gets me going in the morning, afternoon, and evening. What I am about to share, some of it anyway, will end up in the links section when I finally decide to change it. Others, you may never see again (except for this post). Regardless, my internet/computer day starts as follows:
Every day of the week I go to these sites –
http://www.comics.com/comics/hedge/
http://www.gocomics.com/nonsequitur/
http://www.gocomics.com/doonesbury/
http://www.unitedmedia.com/comics/dilbert/
On Monday’s Wednesday’s and Friday’s I go to these sites –
http://www.thewotch.com/
http://www.girlgeniusonline.com/
On Sunday’s (or Monday, depending) I go here –
http://www.gocomics.com/bloomcounty/ *
http://www.uclick.com/client/wpc/wpopu/
On Monday’s and Friday’s I go here –
http://headtripcomics.livejournal.com/
On Tuesday’s and Saturday’s I go here –
http://bobadventures.comicgenesis.com/
On Monday’s, only, I go here –
Then, everyday of the week, after I get done with the various drop-ins for comic websites I hit the blogs. They include:
http://www.neilgaiman.com/journal/
http://artfulwriter.com/
http://www.screenwritinglife.com/ ***a
http://thinkingwriter.com/
http://www.journalscape.com/tim
http://bztv.typepad.com/
http://acertainkindofsomeplace.blogspot.com/
http://www.brassgoggles.co.uk/brassgoggles/
http://www.dragonmount.com/RobertJordan/
http://johnaugust.com/
http://www.dwell.com/
http://www.megcabot.com/diary/
http://www.tobiasbuckell.com/weblog
http://fencingwiththefog.blogspot.com/ ***
http://pubrants.blogspot.com/ ***
http://www.davidanaxagoras.com/ ***
After which I go here –
http://www.nomuse.com/
http://www.unknowledge.com/
http://www.gekco.org/
http://milbergers.blogspot.com/
And then I go here –
http://news.yahoo.com/
http://www.msnbc.msn.com/
http://www.cnn.com/
Because I am an addict of various kinds of storytelling, and TV is a kind of storytelling, and I like TV AND storytelling –
http://dynamic.abc.go.com/streaming/landing
http://www.myspace.com/fox
http://www.cbs.com/innertube
http://www.nbc.com/Video/
http://www.jaylenosgarage.com/video/index.shtml ****
Finally, here’s my I go to occasionally list –
http://www.comingsoon.net/
http://www.scifi.com/
http://www.hollywood.com/
Now that I have better access to a television I also have this one open a lot –
What you will notice in this list is that I hit online comics, I go to blogs that are, primarily, about writing in some form or another. Then I hit news sites. I watch some of the television shows I like online. Then, when everything else has been gone through, I check out informational sites on forthcoming movies, etc. I find it interesting how quickly one can get into a pattern of searching through the interwebbythingamajig on a daily basis. If I can’t go to certain sites, if, for some reason, they are not available to me, then I have to entertain myself in other ways. This is not always a good thing.
The point is, when people wonder what some of my websurfing habits, there you go. As I said, some will be added to the links and I will update them soon enough. Others will be dropped entirely because my interests, or the reason I go to those sites, has disappeared.
There are a couple of places I go rather frequently, multiple times a day whether they are updated or not. These include Neil Gaiman’s website, Tim Pratt’s website, and now Meg Cabot’s website. I go to news.Yahoo.com several times a day and MSNBC.com. CNN.com is one of those hit or miss, and, for some that know me, I have dropped Foxnews.com from my list of places I go.
For those who are wickedly curious, I do go to each of my brother’s websites and would go to any other siblings or sibling-in-law’s website if I knew they existed. I also, daily, go to Erin’s website. I know, in advance, that the likelihood of these being updated is pretty small, so, it requires no effort to drop in and pop out again. On top of that I also go the Steph’s website because, well, I am curious. I think it interesting that people keep blogs and then, conveniently forget (or neglect) to update them.
This isn’t a surprise. What is a surprise (repeatedly) is the number of people that come and visit my website. This might be one of those things that is merely because I am more frequent in updating. I’d hope that’s it. Sometimes, when I am reading news, I decide to share feelings about things that are happening. That hasn’t happened as much, lately, but that doesn’t mean that I won’t be back in the political realm soon enough.
Believe it or not, all of this actually helps me with the whole writing thing whether its for school or personal edification or merely as fodder for updating the website. In some cases, it’s just pure, unadulterated fun that I am going for. Nothing fancy, nothing new, just something that has drawn me in and keeps me interested enough to come back the next day, or second day, or once a week to see what is happening. In other cases, I am simply curious as to what is happening or what developments are taking place. Take Tim Pratt as one example, I loved his book Strange Adventures of Rangergirl and, after reading it, wanted to know more about the guy. He’s interesting and I believe he’s going somewhere as a writer/author. There are aspects to his short fiction and his freelance (non-novel writing work) that I don’t like, but then I think of the Dr. Seuss’s and the Shel Silverstein’s of the world and move on.
Anyway, I think that’s enough for the moment.
John Hattaway | smokingpen | Alicia Grey | Denny Crane | Bond. James Bond
*This will become a daily when they restart the strip.
**This is one that may not be on my list for lack of good writing; drawing better, but not enough.
***These are on a trial basis… as I am interested in what other people are doing in screen writing, I am only interested in other people so far… if’n they don’t have anything good to say about the craft (or their exploration of it) then I am likely (as not) to drop them.
***a Still sitting in a trial basis, this guy, though, may get dropped for lack of updates.
****I like cars and Jay Leno is, quite possibly, the king of cars with a lot of them and a lot of information – you should check out the steam engine bits… very interesting.
New Software – New Fun
Posted by smokingpen in On Writing on March 29, 2007
I said, about a week ago, that I’d ordered some new software. A couple of days ago, it arrived. The problem I have is that the principle DVD/CD drive doesn’t like to recognize CD’s that are multi-platform. The problem I’ve come across is that, of late, the CD’s I am installing on my computer system are… well… multi-platform. Multi-platform means that the software will install on, in my case, Microsoft Windows and Apple Macintosh computers. The operating systems are different. Microsoft is… well, Microsoft while Apple changed their Macintosh operating system to run off of a Free BSD which is based off of UNIX. I like UNIX and wish, back in the day, that I’d spent more time learning about UNIX.
As an aside, some people would tell me to install and run LINUX. I think that’s great. The idea of LINUX and the result is very similar to UNIX. And yet, I am not as interested in UNIX enough to install LINUX in the hope of it fixing my desire to learn and use UNIX. In short, LINUX only interests me so far and, really, at the moment I am not interested in learning more about the whole computer thing. With that said, my next foray into the world of computers will be with the Apple Macintosh. Interestingly, the software I’ve been purchasing is multiplatform for Microsoft and Apple, but not intentionally so.
Anyway, got the software and installed it (had to use an extra DVD/CD drive). Then I had to wait a couple of days before I could really explore it. Before I ordered it, though, I downloaded a DEMO copy from the manufacturer’s website. After installing the DEMO I did have some chance to use it. The problem I came across is that the DEMO doesn’t allow you to save or print; however, you can use all of the features of the software. It was enough, along with the theory behind the software, for me to decide that the cost of the software (and, yes, the cost will ultimately come out of my pocket) was worth it to see if it could assist in the creative process.
Last night, since I had a day I could blow off ninety percent of my life, I decided to take the software for its first test drive. I think I started with the basic level of the software at around 4:30 or 5:00 p.m. Erin called me sometime between 6:00 and 7:00 p.m. She called me again when she got off work around 9:45 p.m. I was still working on the software.
The point is that the software helps lead through the maze of outlining and walks the individual through defining specific plot points for movies, books, theatre scripts, and other creative writing projects. I am liking the questions it’s asking. I don’t know if this will help me write a novel or screenplay (in the long-run) but the benefactor can’t complain about me not working on some of his projects anymore as the original sci/fi story is what took up most of my time yesterday and last night.
This is fun. More later.
John Hattaway | smokingpen | Alicia Grey | Denny Crane | Zach Johnson | Bond. James Bond
Movies-n-Things
Posted by smokingpen in Odds-n-Ends on March 29, 2007
Surfing the interwebbythingamajig I occasionally come across news on movies and various other sundries. It should be no secret that I enjoy television and I enjoy movies and books and, to a slightly lesser degree, music. On top of that, I enjoy plays and musicals. Pretty much if its entertainment oriented I am probably going to find aspects of it that I enjoy. Because of the popular nature of movies and television sometimes it is easy to find things (from other people) that I can comment on.
I guess you should probably know that horror movies and most of the modern suspense movies are not items that I enjoy. When people talk about Grindhouse a new pair of movies by Robert Rodriguez and Quentin Tarantino that return to the double features of, what, the 1950’s and 1960’s where the filming was about “B” grade and the acting not much better, but you got a pretty tight movie and story that seemed to enliven and entertain people. The point is, the subject matter of a Tarantino movie is just plain bloody; and I can’t say that I’ve ever seen a Rodriguez movie that I am familiar with.
I decided to do the whole IMDB.com thing and look up Robert Rodriguez. He directed Spy Kids, Spy Kids 2, Spy Kids 3D, The Adventures of Sharkboy and Lavagirl 3D, El Mariachi, Desperado, Once Upon a Time in Mexico, From Dusk Til Dawn, and the Sin City movies. Keep in mind that this is not a complete list of what he has done and I have seen the Spy Kids movies, I want to see the Sharkboy and Lavagirl movie, and I want to see the trilogy of movies beginning with El Mariachi which is where Rodriguez got his start. None of that, for me and Grindhouse is really very applicable to what this movie is.
The movie, from what I see trailer-wise and what I’ve read, pretty much a blood fest al la Tarantino.
Once upon a time I watched Pulp Fiction. That was the comeback movie, as I recall, for John Travolta who’d found himself wallowing in movie obscurity. He played a mafia hitman. The movie touched on a lot of subjects that I’ve never found enjoyable. I won’t list them. They aren’t important; but, at the same time, for many people that movie proved to be a defining cinematic moment for them. It would be, I’d imagine, akin to George and his Star Wars franchise. That series of movies changed the way studios make movies.
Since Pulp Fiction movies have made another change. Think Kevin Smith who’s claim to fame includes Clerks, Mallrats, Chasing Amy, and others. There are, occasionally, rumors that he is going to be working on the Star Wars television franchise. Whether or not that is true is beside the point, what is the point is that he’s along the same line of movie maker (according to IMDB.com he has an untitled horror movie project coming down the line) as Tarantino.
Tarantino did for horror movies, the blood and gore movies, what George did for movie making in general. When a horror movie is made (al la Saw and Saw II) there is a lot more blood and gore and a lot more violence than I feel (or think) is necessary. You might say that Tarantino heralded in an era of uber realistic movie making.
This has extended into television. What people should know is that Erin is a fan of Alias. This is not a show I am exactly thrilled with. I think, honestly, that J.J. Abrams created a series that was meant to fail. Well, not really, but when he decided to focus on other projects he left Alias alone. As a result, the show faltered and failed. According to news reports at the time, Jennifer Garner was the reason ABC kept the series alive because they were betting on her as an actress and as a draw. During this time ABC was suffering from low ratings. Interestingly, J.J. Abrams helped create and mastermind the return of the network to some prominence with LOST.
Tarantino was also a fan of Alias. I don’t know what Erin’s opinion of his character in the series is; or how she felt about the episodes that he wrote and directed. But, I think he detracted from the series and was a foil used by ABC to bring additional viewers. The thing is, though, I don’t like his movies and I think he is this weird, freakish, visionary.
Grindhouse is this interesting pair of movies. I’d imagine it was well funded and, from the trailers, they’ve got some pretty big name talent. If I were only interested in who was in movies, there would be a lot of movies I’d see just because. Yet, I don’t really feel that this movie is going to do more for cinema than promote a new way of looking at movies, especially shorter filmed movies designed for back to back showings. This will, probably, open the door for a lot of young filmmakers to become expressive in a new form of storytelling. Where critics believe that video podcasts and content written specifically for cell phones and iPods will change the way video is made, I think that Grindhouse, if it makes it a couple of weeks in the box office, will change the way in which studios and directors choose to make movies.
This, believe it or not, actually leads into The Black Donnelly’s as a story-telling medium. Television is one of those things that allow for some measure of experimentation with the kinds of shows that are broadcast. I’d imagine, all tallied, a lot of American Television comes from successful experiments in England or other places. Right now, The Office is a remake of the show originated in Britain. We take an idea and we remake it and then continue that same idea until it’s been done a few dozen times.
However, The Black Donnelly’s really is one of those experiments that I wonder whether it will work or not. In the pilot episode, we are introduced to the Donnelly brothers: Jimmy, Tommy, Kevin, and Sean. Tommy is the responsible one who, allegedly, takes over the Irish Crime Syndicate in New York City. I’ve shared this before. What makes this pertinent to what I am writing about is that the story isn’t really conducive to television; but I’d imagine it will break ground for other shows to follow in its footsteps. The Donnelly’s will create a new wave in television – Studio 60 one of my current favorite shows that might not last another year, can’t even claim the same thing. It’s great television, but it’s not groundbreaking television.
The problem with The Donnelly’s is that you have to invest in the characters knowing how they might turn out. You have to set aside disbelief of the narrator of the series (Joey Ice Cream) and trust that what he is telling the public is actually real. All of this is important when you consider that the story is leading to some semblance of a (at least) seasonal conclusion which will have Tommy taking over some aspects of the Irish Mafia. You know it’s going to happen and yet, as a viewer you have to wonder whether or not this is even going to really go anywhere. It’s experimental, it will usher in new TV, and yet, what’s the point.
Tarantino does the same thing for movie. He breaks ground. Grindhouse will probably be a big pull at the box office if for no other reason than people are tired of the same-old-same-old fare that the studios pump out. It will change the way we watch movies, though it will not change, for any length of time, the way studios make movies. And yet, unlike The Black Donnelly’s I have no interest in going down the Tarantino road.
John Hattaway | smokingpen | Alicia Grey | Bond. James Bond
Twenty-Pages
Posted by smokingpen in On Writing on March 26, 2007
It seems like I need to write an update for my website. My life is hitting high gear with the need to write papers and turn them in. In some instances, these papers are research, like last night, in other instances they require background with sources but don’t necessarily require research. The explication, in yesterday’s paper, turned into the paper with little supporting research. My problem, though, was that after I spent about ten hours working the paper, I discovered that my mind had rewritten it pretty solidly and I didn’t have time to go through the rewrite. At the same time, the first draft came in at twenty pages, about ten to twelve more than the assignment asked for, and I had to spend some effort pulling out bits and pieces to make the paper twelve pages (maximum length).
I find the writing of papers rather interesting. Sometimes the thoughts come and I can explore them while other times they don’t and I have trouble dealing with them, exploring them, and, ultimately, creating a cohesive argument. For example, last semester, the final paper in one of the classes I was taking was on the symbolism of feminism in Frankenstein with the transmogrification of Mary Shelley into Dr. Frankenstein. In essence, my thesis was that Mary Shelley was really presenting herself and her experiences in the form of Dr. Frankenstein and his relationship with the monster.
The monster represents man, men, or male figures in her life.
That is beside the point. In my head, I can (now) see the argument I was trying to make. At the time, I was not certain what the argument should be and as a result I wrote something that, in the end, turned out much worse than it needed to be. Whatever grade I received, I am sure it was a gift and not actually a result of my efforts. The outcome, though, is that I passed the class and that is all I really care about. (And, no, I don’t know what I got on the paper.)
I am curious, however, how the paper I wrote last night will be graded.
On top of that, though, I have a paper due in another class that gets to be distributed to the entire class. That should be rather interesting. I am planning on taking apart a story and explaining how it works through different theories of story and story writing. This one has to be something like seven to ten pages long with references. So, you know, overwrite, pull back, look at it, edit, yadda, yadda.
On top of those two papers I have one due in my Joyce class that I received (back) the prospectus for today. The Professor said something to the effect: As I read further and further into your prospectus what you are planning on doing became more clear. He then said that my thesis not too clear, my statement a little clearer, my outline a bit more clear, and then when you read my annotated bibliography everything seemed to fall into place. That is… uhm… different, to understand what, and where, I am going by looking at the books I am pulling from as primary research material.
Anyway, for school, my other projects (at this point) are doing journals and writing much shorter papers with the intent of doing better in the various classes I am taking.
Now, I know this is, probably, the most exciting update in, what, weeks, but it’s what you get today. Tomorrow, I might write about the new software that should be here, and the sofa, and the washing machine; but today, today you hear about school related writing.
There will be some news coming down the line. I have to follow some avenues that were suggested to me, but I will share what I am working on (on the side) in a bit.
John Hattaway | smokingpen | Alicia Grey | Bond. James Bond
Maintenance Update
Posted by smokingpen in Odds-n-Ends on March 23, 2007
When wedding.sw-c.com was set up I noticed (while configuring the site) that there was an option about when posts are removed from the front page of the website. I’d chosen the option that if a post was more than 9 days old it disappeared. I’m sure I had a reason for this, but at present I’m not (really) certain what it was… well, truth told, I may not have been aware that I could have it in raw posts rather than number of days. As a result, I set-up the wedding site with a requirement for total number of posts (I think) rather than number of days (www.sw-c.com). Today, I made the change on this website from days to total number of posts.
So, in case I get in a mode where I am not updating as often, or frequently, as I should (or could) the website will still show the last 9 posts.
The Joy of Discovery
Posted by smokingpen in Odds-n-Ends on March 23, 2007
Every once in a while someone will say, to me, “John, why don’t you tell me all the things you have done.”
My response (especially in recent years) has been, “That is a waste of my time. You are asking me for a laundry list. My experiences are only interesting when discovered. A laundry list is boring.”
The Laundry List, to me, is listing out experiences, jobs, etc. so that the individual receiving them knows that I may (or may not) have done certain things, but really holds no other context than the individual was curious about the various elements of my life.
An example of this:
After my mission I came home. In spending two years (twenty-four months) where I always had someone right next to me, I wanted some time when I was not connected to someone else. As a result of one companion I had, and his stories; as well as experiences as a child riding in the family car everywhere we went, I decided that the best (for me) solution to this want was to drive semis. The result was that I found a job working for a large trucking company who also agreed to train me at no (training) cost to me.
I drove for about six months. It was fun (at first) and then it was boring and, I discovered, dangerous.
This, for most people, is not a discovery. I am very open about my time driving semis. For a while, that was one of the first things people learned about me. There is something, to me, about having that as a notch on my totem. However, I also discourage people from that as an occupation by stating something like, “If you have the ability to live with your own thoughts, I think it is a good job to have. If you can’t live with the noise in your head, then driving semis is a bad idea,” For most people it really is a bad idea.
That is one example of something most people don’t have to discover about me. Well, the discovery generally comes quickly and early. At the same time, I have a lot of other experiences both professionally and personally. These experiences, most I believe, require the individual discover them. I really mean that. If I hand you the laundry list you get a list of things; if you discover, you get to find out more about me than I might, otherwise, normally share.
Erin made a discovery this past weekend. This was used in relation to a couple of other people we both know and communication problems. The idea of discovery is not new, even in communication. Different people say (and do) things in different ways. Sometimes you find yourself not communicating well with other people and wonder why. The outcome (as discussed with Erin in relation to others) is that the discovery process is necessary to determine whether or not the individuals (in question) really want some kind of a lasting relationship. If they do, they will learn the process of communicating with the other party (or parties); otherwise, the relationship will come to an end.
Discovery in relationships is, in part (I think), what makes the relationship interesting. How boring would it be if you new everything about a person? You’re in their head. You know what they are going to do about the same time they know what they are going to do. That is boring. You don’t have the excitement of finding out new things. You don’t get the joy of growing with the person and sharing connected and disconnected life experiences, ideas, feelings, or anything else.
And yet, that’s not really the thought I am working through.
Education is about learning things. What I learned, early in my life, was that sitting in class rarely taught me something I didn’t know. I do have a class, now, that presents new information – but most of the information is really new ways of looking at old data. There is one exception: China. I’ve had an interest in China for a while, now, but I didn’t really have any clue about the rich cultural history of that nation or most of Asia. In my mind these are, generally, third world countries with a really barren and boring background.
China and Japan’s histories are anything but boring. This discovery came, in part, as a result of my studying for a test where I was told, “You need to know something about China’s and Japan’s histories after 1500.” I bought a book. The book deals with a lot of Asia’s history which, I learned, is very rich and very different from Europe’s.
That is an exciting discovery for me and one that only increases my desire to visit and/or live in China.
Another, recent, discovery (also dealing with China) is a short film about the cost of a water buffalo and the economic boon this puts on a family when gifted. A water buffalo costs about $250.00 U.S. dollars. This is more than the average family earns in China in a year. Buying a water buffalo will feed the family (if they slaughter it) for half a year; it will also assist, for more then fifteen years, in the plowing and preparing of ground for crops. This increases yield and increases the money the family can make in a year; thereby improving their situation.
When I spoke to Erin about this (we’ve actually talked about it more than once), this is, in my mind, similar, in nature, to the LDS Church’s Perpetual Education Fund for third world nations. Education is better, but all things in steps. In China, a water buffalo can literally bring a family out of poverty and prepare them for a future where education (or the possibility for an education) is possible.
Quite literally, I am interested in making discoveries. Discovering what I like. Discovering what I don’t like. Discovering new ideas, new information, new knowledge, and new methodologies. It was an interesting discovery, several years ago, to find that I like working on Jeep Cherokees. They, to me, are one of the more fun vehicles not only to drive but to do mechanical work on. I don’t, normally, enjoy being a mechanic, and yet, when it came to my Jeeps, I loved going out and getting dirty crawling around the engine, transmission, and transfer case. This really was a discovery.
Discovering a new method of writing is also exciting.
Discovering a new author is actually more exciting than almost anything else I can think of. I was talking to Erin about different authors I enjoy and I started talking about specific authors. I don’t know why it has taken our entire relationship (so far) to get to a point where I can share specific authors and specific books that I’ve discovered over the years and why I love them. As I talked to her I wondered if, by introducing Erin to the authors and books, if she would have the same kind of discovery that I had or if exposure to what I’d discovered by being willing to take a chance on the unknown without giving her the same opportunity (if no more than discovery on the bookshelves) would taint her experience.
The idea of discovery is something that extends well beyond the simple borders of personal experience. We find movies and music, television and books, cars and walking… I rediscovered (and this actually happens a lot) that I really love to walk; and I discovered that some of my favorite (dead) authors were walking writers – meaning they would write and then walk for hours; or walk for hours and then write.
I am rediscovering my commitment to writing – and this in part is accompanied by Erin’s discovery of my excitement at writing something and having appropriate (to me) feedback that what is produced is good.
I’m not, exactly, sure that what I started out intending to write is what I’ve actually written. What I intended to say dealt with finding something on your own and being excited and changed by that discovery. I started out writing that someone can’t walk up to me and just ask for a list of experiences or jobs and expect to get the same response as when we get to know each other and they discover what I’ve done with my life and how that can affect them. I started out writing with the intent that the discovery is really the enchantment to life, the fluid that pumps through life’s veins and keeps the experiences alive, and yet, I don’t know if any of my examples (in these areas) has succeeded in expressing that.
For tonight, though, I think I am done trying to discover how to write about these things.
John Hattaway | Alicia Grey | Ansel Adams | Denny Crane | Bond. James Bond
This IS a Complaint – or, Another Positive Mark for Amazon
Posted by smokingpen in book reviews on March 22, 2007
I recently found some software that I was thinking I wanted; but not before I tried the software out. Some of the things I’ve been looking at, lately, are rather specialized (and I’m a writer – go figure) requiring me to really think about what I am trying to accomplish and the associative cost before I jump into the river of spending and spend the money that needs to be spent. Anyway, came across a piece of software based off of a writing philosophy, found a demo for it, and decided the writing philosophy and the software (after trying the demo) was worth my time (and effort) in pursuing it.
So, I found a benefactor (I am poor) who would front me the money (his name is…) and then ordered the software on Amazon.com. However, when I got the confirmation in my e-mail that the software was ordered I noticed that the actually charged amount was about $50.00 less than was supposed to be paid. Then I looked closer. When I looked closer I noticed that the $50.00 was actually the outstanding balance on a roommates gift certificate he’s been using to buy books for school. This, by the by, is/was/and will never be a good thing.
My reaction: I tried to cancel the order so I could process a new order without using the gift certificate.
Time involved (so far): less than three minutes.
When I tried to cancel the order Amazon.com told me that the order was already in process to be shipped and that I couldn’t cancel it. So, I found a way to call their customer support number (which actually has them call me) and spoke to a lady who, I presume from her accent and decorum, was in India. When I explained what was happening and why I was calling and that I needed 100% of the amount of the order to be placed on the credit card and that the gift certificate wasn’t mine to use she told me I had to options.
Option One:I could get the package in the mail (on Tuesday) and then return the package and get a full refund.
Option Two:I could order a second copy of the software, spend twice as much money, and when I got the software on Tuesday I could return it.
I don’t know about anyone else, but that feels like the same option, repackaged, and presented twice. And, in the second option, twice the money is spent rather than a single amount. Neither option was acceptable. I said, “These are the only options I am willing to accept. Either, the total for the order is charged to the credit card and the gift certificate is not touched; or, you cancel the order as I made it (at this point) less than ten minutes ago. There is no way on God’s green Earth that the order is already shipping.”
She said, “That would be very difficult,” and then proceeded to explain to me why it would be very difficult.
I said, “Let me share with you the vernacular you are using. You have said, repeatedly,” because at this point it was repeatedly, “that what I am asking for is difficult, not impossible, so, you will either cancel the order or you will make sure that the credit card is the only thing charged. If you can’t do it than I want to speak to someone who can. If you have to speak to someone who can authorize this, fine. But, you have said that it is possible, just not easy, so, make it happen or put someone on the phone who can make it happen.”
She paused. Then she said, “I need to talk to my supervisor.”
I said, “That’s fine.”
She said, “Will you hold?”
I said, “Yes.”
She said, “If I can’t get approval for this you may have to talk to my supervisor.”
I said, “That is fine. I will hold. Go talk to your supervisor.”
Imagine, now, twenty minutes and a strange secondary phone call where someone was speaking (recording) in Spanish and me hanging up on the phone call. Me surfing the internet (which, most people actually can’t imagine). And then, just about the point I am actually mad and not just frustrated, the woman coming back on the line. She said, “This time only, my supervisor has approved me to refund the money back to your gift certificate.”
I said, “Thank you.”
She said, “Amazon will only charge you the $140 (something) that is being charged to the credit card.”
I said, “You don’t have to do that. Just charge the full amount to the credit card.”
She said, “We cannot do that. To do what you have asked us to do, we have to credit the money back to the gift certificate. We cannot charge you the full amount on your credit card.”
I said, not wanting to belabor the point, “Thank you. You have been very helpful. I appreciate what you’ve done.”
Now, truth told, I don’t pay for shipping. When I shop at Amazon.com I have unlimited two-day shipping for everything I purchase through Amazon.com’s marketplace. I like this. I’ve paid for Amazon’s Prime membership many, many times over this way (I buy a lot of books) and since you get a discount on the books you buy AND it doesn’t cost me anything to have them shipped to me (over, say, Borders or Barnes and Noble) it makes sense (at least to me) to use this service. On top of which, they have been very, very, very good to me since I decided to push most of my discretionary book spending (and movie, and music) to this online retailer. In short, I am happy. I want to see Amazon continue to succeed and exist. It is in my interest.
So, when I say I am complaining about the outcome (today) I really am. Granted, I am one buyer in (probably) millions. My purchase (today or normally) isn’t going to make or break the bank for them. What happened wasn’t really acceptable to me. I appreciate it. I am grateful that the software (which normally retails for $270.00) is being sent to be for just shy of $150.00, but, I think, that is probably the point in all of this. You lose margins when you do what Amazon did today.
I am happy with the company and I am looking forward to the purchase, but, at the same time, I am a little taken back by the nature of how things may have been handled. I wanted to pay the amount that I was quoted. I don’t think that something that is moved into a shipping status should be entirely unchangeable. Rather, I would’ve been better off had the CSR said, “Yes, we can do that for you. Hold on. Yes. The gift certificate is not going to be touched and the entire balance will come from your credit card.” I would have been happy with that.
Instead, I get to be persnickety and point out that I am paying a considerable amount less than I should. I should be happy and a part of me is jumping up and down in glee and joy and other happy words. And yet, there is a part of me that wonders if Amazon.com hasn’t started down the path toward a slick and happy solution to most things where most margins will cover a situation like this? I mean, moving customer service to India is definitely a money saver, but speaking to the woman, and to be clear, I had to drop most of what is normal American speech patterns to be understood and to make sure she, without question, understood what I was asking. The complains is that I REALLY would have preferred to pay more, not less; and the paradox is that I am happy to have paid less than more.
Yes, Amazon.com has achieved another level of customer satisfaction (in my book) with what happened; but I wonder if, soon, they might not be more like Wal-Mart than I am comfortable with? Will I have to find another online retailer (or revert to spending a ton of money in a big-box bookstore) to fill my entertainment and reading needs? This is an interesting question for me.
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Stuck on the Edge – a review
Posted by smokingpen in On Writing on March 18, 2007
Last night, after Erin and I went to go through the torturous process of having our engagement pictures taken again and again and… we went to see an original play titled Stuck on the Edge. It was written by Elizabeth Leavitt who, I surmise, is a BYU undergrad or MFA student. According to a Google search she is a BYU alumna which, I would imagine, is a female alumnus. Another Google search affirms my assumption.
To start, I thought the acting was very good for the level of production – college.
The play, though, was sub-par. I don’t know what par should be. The level of writing was… well, uninspired. I think the problem I have isn’t that the writing was bad it was that the writer didn’t understand what she was doing with what she was writing. Specifically, the inciting incident was put in the wrong spot.
To illustrate this, the play starts with four friends (two married), meeting for the yearly reading of a letter. The letter was, allegedly, written by a mutual friend who died. You discover, much later in the play, that the friend had died of a tumor. Everything that most of the group says about this guy, Peter, was how perfect he was. The perfect film paper. The perfect friend. The perfect lover. The perfect, all around, guy.
On top of the actual inciting incident, the characters were all meant to be playing people in their thirties. For those who don’t know, thirty is a far different experience than twenty; and the thirties are far different than the twenties. You can’t get past, or around, this. Experiences that might seem important or applicable to someone in the early- to mid-twenties really don’t hold the same importance to those in their thirties; and an inferred explanation of not moving past the death of a friend isn’t enough. The individual still gains experiences regardless of whether or not, emotionally, they have dealt with the impact of the event.
So, my issues deal with the sophomoric attempt at writing a play that, in truth, was only enjoyable because the actors were intriguing and were doing the best with the material that was provided them, and not because the material was groundbreaking, interesting, or even well written.
Throughout the play the playwright has her characters make observations. Granted, this is a good attempt at engaging the audience; but the observations aren’t even interesting. Most of the time they screamed that the writer was merely rewriting something she’d either seen or heard someone else say and most likely something she’d seen and heard on television or while watching a movie, without adding anything real. At one point one of the characters as, when another was describing a bad first date, whether or not the second character was embarrassed because he realized, while looking in the dates eye, that the character had been looking in the wrong eye (you only focus through one eye at a time) and had to change. Granted, if you care about that, it can be embarrassing. If you are juvenile, that might be funny. But, I believe, in either case, it was neither interesting or pithy and certainly failed at funny.
Once the play starts, though, it takes an entire act and several scenes to get to the point where you learn something I figured out in the first five minutes of the play. Specifically, that one of the living members of the group was the one actually writing (and had written) the letters. The reason he makes this revelation is, actually, rather complex; but no in the human emotional impact way and more in the writer didn’t understand what she was doing and someone told her it was good when in reality it was really bad kind of way.
Basically, one of the girls had spent ten years with the letters, looking at them, reading them, re-reading them over and over and over again. She’d placed this dead friend as the perfect person, the perfect companion, the perfect individual. No one knew she was doing this. As a result, the character actually writing the letters reveals what he’s done and explains how he was the one who ended up writing the letter.
This destroys the group and this is where the play should’ve started. Sure, start with the reading of a letter, discover how much they’ve come to depend on these letters, realize that this is probably a mistake, make the revelation, and move forward. By starting the play in the wrong place, the audience is actually forced to deal with a lot of emotional baggage that is unnecessary for the journey.
Starting the story with the actual inciting incident will change the entire scope of the play. It would make it better and it would, possibly, make it a lot shorter. Shorter isn’t necessarily bad. In this case the playwright had a story she wanted to tell. In doing so she thought she had a lot more that needed to be told. This does not trust the audience, sufficiently, to allow the audience to infer things that need to be inferred. One of the things that, probably, needed to be inferred, more, was that the dead friend held a special place in all of their hearts. However, discovering that he is/was not the person they all thought he was.
In the play, as it stands, this is relayed by realizing that the dead friend didn’t write the letters. The truth was that the dead friend not only didn’t write the letters, he wasn’t that great of a friend, his writing was substandard – in the end, the friend wasn’t really much of a friend at all. What the friends all thought of themselves and each other. In the end the resolutions were really not resolutions… well, that is not entirely true, when it came to the married couple they decided to continue working on their marriage, but the other friends decided they should just be friends or that they hated each other and loved each other all at the same time.
It ends with one of them telling the other she needs a year, that they can remain friends for a year, that she can disappear from his (and their) lives for a year and come back as though they were going to read a letter. She says, “If you ask me to tell you where I am going I will tell you. But please don’t ask.”
The resolution of the married couple ends with the wife sitting in what is supposed to be a bathtub in her clothes, recognizing that she is conflicted and in her clothes and that the situation is ridiculous, and yet, still sitting in the bathtub. I think, in this case, you get the whole Catch-22 scenario where you can’t fly if you are insane and yet you have to be insane to fly, but if you are insane you can’t fly and yet, if you fly you are insane. It also goes (in the same book), you can’t be insane and know you are insane, so if you know you are insane you aren’t insane, and yet, to fly insane, but you can’t be insane if you know you are insane.
What happened in the play seemed, at almost every step, counter-intuitive to what was meant to be happening. This is a play of exestialism, of self-discovery, of self-realization, of growth, of stepping off over the edge and falling, falling, falling to the ground rather than standing still and doing nothing. And yet, the play is actually about bad observations, rewritten scenes stolen from television and movies, and experience that belies the age and situation of the people who are actually experiencing the things.
At BYU every theatre and acting student reads Crimes of the Heart. This play is good because it doesn’t try to be anything. Rather, it presents information, it presents characters, and, by the time you are done with the play, it tries to tie all of the elements together that are applicable to the story being told. The character (female) in the play who was arrested before the play begins (not the inciting incident) isn’t exonerated, she doesn’t get the man, and there is no clear resolution. Rather, the only resolution is that the sisters (three of them) are going to try and make things work between them. If the arrested sister stays out of jail she succeeds; if the famous sister finds her voice, she succeeds; and if the lonely sister finds romance, she succeeds and they succeed together. This is an example of how a play works well, together. For informational purposes, the inciting action in the play is the arrested sister being released from jail on bail. Everything else, the famous sister coming home, the lonely sister dealing with her loneliness, and the arrested sister dealing with the ramifications of her crime, all come as a result of the inciting action and not the crime that was committed.
In Stuck on the Edge the inciting action isn’t presented until two or three scenes into the second act. In the play, the characters just float in the first act. They kind of float in the second act. In the play there is no real realization that the characters have developed anything from the realization that their dead friend isn’t who they thought, or had convinced themselves, that he was. Instead, they are the same, juvenile, delinquent characters that they started out as and what could’ve been a good play with a thoughtful story ends up being a bad play that isn’t, remotely, thoughtful.
Truth told, the laughter that could be heard were family and friends who were laughing at people they’ve seen growing as actors and not because the script gave the audience anything to laugh from. Where there were funny moments, they came as a result of the quality of acting and not as a result of the quality of the script. In the end, the play wasn’t worth seeing, for me, and though it wasn’t a complete waste of two and a half or three hours, it was pretty close. Everything that could’ve made the play good or great only made the play okay and nothing more. Even the acting couldn’t bring the quality of script up to a level that it was great and would be talked about.
With all that said, I realized something, last night, that seems important. No matter how much I talk about it, the playwright has done something. Sure, it is not good material, but she’s convinced someone to produce her play, to cast actors, and to put it out there. Even if she never realizes her mistakes and the misunderstandings of concept that were inherent to her work, she will always be able to look back at this and say, “I’ve had a play produced, published,” and, at present, that is more than I can say.
What the play did for me, and the only reason it was worth my time (other than spending more time with Erin) was to kick me in the pants and remind me that I do have a talent, I am capable of doing something great, and that I could’ve written that play a lot better and feel as though, maybe, I should go back and revise some of my work and, at least, submit it for critical review by people who care about things like that. If something like Stuck on the Edge than I can do the same thing and better.
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